Studio 20 @ Arthur L. Carter Journalism Institute
The program seeks to draw together a diversely talented team of students who can produce excellent work that pushes the field forward and realizes some of the possibilities inherent in a multi-media, interactive and constantly evolving platform for journalism-- namely, the World Wide Web.
Studio classes provide a "hub" for organizing activity and a common space for inquiry and reflection around the program's various projects. Students are expected to be flexible and curious, generous in sharing skills, eager to pick up new knowledge and willing to adapt to what the project--and its deadlines--demand.
The curriculum has three parts: 1.) the traditional requirements of two basic reporting classes plus "the ethics of the web;" 2.) a core of three project-based classes called Studio I, II and III; and 3.) elective enrichment courses that allow students to pursue interests and work on initiatives of their own. In their third and final semester, students design their own projects with an appropriate media partner and try to create innovation--as well as a name--for themselves.
Each year Studio 20 will recruit a mix of writers, editors, videographers, audio journalists, programmers, designers and Web producers under the principle of "bring skills, share skills, learn new stuff." Recruiting will emphasize students comfortable in more than one medium and ready to tackle new challenges. One of our mottos is: "Everyone works on everything." Another: "acquire what the project requires."
In 2009-10, one of Studio 20's major partners was the New York Times. Working with editors at the Times, students and faculty designed and planned a hyperlocal news site for the East Village neighborhood in Manhattan. It launched in September, 2010: The Local East Village.
One of the innovations that came out of that project is The Virtual Assignment Desk, a WordPress plug-in. You can read more about it here.
In 2010-11 Studio20's major project was a collaboration with ProPublica, the investigative reporting non-profit. Students experimented with the genre of "the explainer," a form of journalism that provides essential background knowledge and brings clarity to complex issues in the news. Read more here and see the project site, Explainer.net.
In 2011-12, Studio 20's major project was a collaboration with The Guardian around a different approach to election coverage. You can read a summary from the Nieman Lab. Then see the project in action on the Guardian: here and here.
In December of 2010, NYU announced that the renowned Internet thinker Clay Shirky would be joining the Carter Institute and Studio 20, where he will teach courses and consult on projects.
Think you might be interested in applying? Email studio20.journalism@nyu.edu to let us know. Tell us about yourself and your background and how we can find you and your work on the web.
Here is Studio's 20's official page at New York University's Arthur L. Carter Institute of Journalism.
Here are the official instructions on how to apply. (The initial deadline is Jan. 10; we will accept applications after that but cannot guarantee space or financial aid. Please note that the GRE General Exam is required of all applicants. See our How to Apply page for more details.
Here is a map showing where we are located.
Follow professors Jay Rosen and Jason Samuels on Twitter, as well as Clay Shirky. And check back at this site for updates.
Harvard’s Nieman Journalism Lab did a Q&A with Studio 20 Director Jay Rosen on what the program’s collaboration with the New York Times means for journalism education.
So, are you suggesting that journalism schools could do well to focus on small, incremental steps toward local media partnerships? I mean, if I’m a journalism school director and I like what I see from this partnership, what’s the first step? What should I do?
This project began when I noticed what the Times was doing with The Local, and thought I glimpsed a need to experiment and learn. I mean, that was the logic of what they were doing. So, the first step is to get inside the head of the potential collaborator and start with a need or interest they have. The next step was to look at what we are doing at NYU and where we wanted to go with our program, and figure out where the two circles overlapped.
So, my Studio 20 concentration wants to work on innovation puzzles that matter in journalism in the broadest sense, but to do that through projects that can be completed in a semester. The Carter Institute at NYU teaches local reporting and needs a better way to do that. Put those things together and you get a version of The Local that Studio 20 can incubate, that the Reporting New York concentration at NYU can “own,” and that the Times can benefit from as a learning lab — and the community can gain from because it serves the East Village well. So it’s really four or five overlapping circles, because this is a community that NYU, the university at large, has a big stake in; it’s a big land owner and expects to own more land here.
Once I had the idea — East Village! The Local! — I just looked for ways to multiply the overlapping circles.
Oh, and one more thing: I tried to listen well to what the Times needed from such a project and understand it from their perspective as well as I did from ours.
Check out the full post.
